Welcome to the blog for the Villanova English department! Visit often for updates on department events, guest speakers, faculty and student accomplishments, and reviews and musings from professors and undergraduates alike.

Tuesday, June 26, 2018

Nora Manosca in Hong Kong

English major Nora Manosca is interning this summer in Hong Kong.  She writes:

As a Cultural Vistas Fellow, I am interning in Hong Kong SAR, China this summer as a Case Officer at Mission for Migrant Workers. The non-profit organization located in Central was founded in 1981 as a response to the large number of maltreatment and unfair labor practice cases Filipino migrant workers face. As a Case Officer, I work directly with migrant workers who have questions or cases regarding their worker's rights. The Mission commits to its Christian ideals of Justice, Charity, and Love which feels just like our Villanova home. On Sundays, many migrant workers are off from their domestic jobs and can be found socializing, resting, and eating on the sidewalks of Central. I had the opportunity of observing one of the Mission's programming events where staff members worked with other Filipino organizations to inform the domestic workers about their rights, offer free massages and blood pressure readings, and entertainment such as karaoke. The women workers are so full of life and fun, they don't even mind the heat and humidity!

Along with working with empowering people, Hong Kong has gifted me so many breathless sights, such as the view from the top of my dorm building at the Chinese University of Hong Kong, located at the top of a mountain (pic #1). The other Cultural Vistas Fellows and I went to the Dragon Boat Festival at Stanley Pier (Pic #2), where rowers from all over the world compete. We also visited the beautiful island of Macau, which is essentially a gigantic Las Vegas with a special black sand beach! (Pic #3) Adjusting to the weather is a small price to pay for such a memorable experience!

Nora in Macau.

Sunday, May 20, 2018

English Faculty at Commencement

English faculty with English professor (and Dean!) Crystal Lucky on the screen.

English Reception for Graduating Seniors

Brittany Schrader
Medallion of Excellence winner Elizabeth Eby with family and Prof. Heather Hicks.
Graduating senior Lucy Finnegan, sister Mary (English major class of 2015) and Prof. Alan Drew.
Kyra Kruger with Prof. Heather Hicks.
Graduating senior Megan Galioto with father and Prof. Joe Drury. 

Award-Winning English Faculty!

Prof. Jody Ross, this year's winner of the Tolle Lege award, which acknowledges excellence in teaching of a faculty member in the College of Liberal Arts and Sciences.
Prof. Ross with previous Tolle Lege winners, Prof. Megan Quigley and Prof. Alice Dailey.
Tolle Lege winners joined by Prof. Evan Radcliffe, past winner of the Unitas in Caritate Award for Outstanding Service, and Prof. Michael Berthold, past winner of the Lindback Award for Outstanding Undergraduate Teaching.

Wednesday, May 16, 2018

Recommended Summer 2018 Reading from English Faculty

The department's fifth annual summer reading recommendations follow.  Click on the "summer reading" label at the end of the post for previous recommendations!

Michael Berthold:
I’ve been teaching Octavia Butler’s Kindred for a number of years and look forward this summer to reading through the rest of her fiction. Butler visited Villanova back in 2002, and a number of the English faculty had the opportunity to lunch with her!

Joe Drury:
Here are the books I'm planning to read this summer:
Jenny Erpenbeck, Go, Went, Gone - much feted contemporary German author. I've been told the novel to read if you want to begin to understand the current European refugee crisis.
Cixin Liu, The Three-Body Problem - my sci-fi read for the summer, am told it will blow my mind.
Preti Taneja, We That Are Young - highly acclaimed new novel about 21st century India, written by someone I worked with briefly in the grim period between college and grad school.

Travis Foster:
First up, a page-turner of a memoir that addresses rural white poverty far better than the aw-shucks punditry of Hillbilly Elegy while also telling a more complex, important, and authentic story: Tara Westover’s Educated, about her experience growing up home schooled in a fundamentalist family in Idaho. Next up: Patrisse Khan-Cullors’ When They Call You a Terrorist: A Black Lives Matter Memoir, a queer coming of age story about art and activism that I couldn't put down. It left me feeling hopeful about the possibilities for social change. Third, an engrossing and epic fantasy, the first volume in a projected ten-volume series: Brandon Sanderson’s The Way of Kings. I couldn’t stop myself and read the entire 1007-page book in three days. Finally, a book I cannot wait to read this summer, written by an incoming member of the English department: Tsering Wangmo Dhompa’s Coming Home to Tibet: A Memoir of Love, Loss, and Belonging.

Heather Hicks:
I plan to read The Power by Naomi Alderman, which is a critically acclaimed 2017 novel that imagines teenage girls develop a power that makes them physically stronger than men.  I also want to read Marc Reisner’s classic nonfiction work, Cadillac Desert: The West and Its Disappearing Water.  This book is alluded to in a number of recent post-apocalyptic novels about climate change, including Claire Vaye Watkins’s Gold Fame Citrus and Paolo Bacigalupi’s The Water Knife.

Kamran Javadizadeh:
I’m looking forward to reading so much this summer! But two books come to mind first:

American Sonnets for My Past and Future Assassin, by Terrance Hayes. Hayes started writing these sonnets just after the election of 2016, and the poems, each of which has the same title, and little bunches of which have been appearing in periodicals since then, are extraordinary, mind-bending, and packed, each, with fresh wonder. Two representative quotations from what I’ve seen so far: “I lock you in an American sonnet that is part prison, / Part panic closet, a little room in a house set aflame.” “Inside me is a huge black / Bull balled small enough to fit inside / The bead of a nipple ring. I mean to leave / A record of my raptures.” The book comes out in June.

In the Distance, by Hernan Diaz. I’m very curious about this novel, and I know very little about it! Except that it’s a Western that (apparently) reimagines the genre, is set in the antebellum period, tells the story of a Swedish immigrant who finds himself in California and must travel east, and is all about uprootedness and feeling lost in the strangeness of this language and this continent. It sounds great.

Yumi Lee:
My suggestion is Alexander Chee, How to Write an Autobiographical Novel, just published this spring. It’s a beautiful collection of personal essays, including some particularly fantastic writing about writing. A great read for all creative writers and lovers of reading.

Joseph Lennon:
The amazing Solar Bones by Mike McCormack.

Jean Lutes:
This summer, I'm going to read Alexis Okeowo's A Moonless, Starless Sky: Ordinary Women and Men Fighting Extremism in Africa (2017), which sounds like an extraordinary journalistic achievement and a moving testament to the power of resistance.

Next on my list is John Banville's Mrs. Osmond (2017), a daring sequel that follows one of my all-time favorite literary heroines, Isabel Archer from Henry James's The Portrait of a Lady (1881), into adulthood.

Mary Mullen:
I look forward to reading John Keene’s Counternarratives (2015) this summer. It not only rethinks historical narratives about race and slavery; it works to transform how we think of history itself. As John Keene says in an interview about the book, “I place history as a linear, factually-based practice under pressure.” It is innovative and experimental, changing how we think about history by experimenting with narrative form. Professor Lee also highly recommends it (and says much of it is about Philly)!

I also plan to continue my regular summer practice of reading novels by Margaret Oliphant. Most famous for her Chronicles of Carlingford novels, Oliphant published almost one hundred (!) novels during the Victorian period. I find her novels of provincial life utterly relaxing to read. They are full of sons who disappoint their fathers, daughters who preside over their father’s dinner parties (whether their fathers like it or not), bad love matches, anxiety about social mobility, conflicts between church and chapel, warnings about financial speculation, criticism of Oxford’s exam system. I recommend starting with Miss Marjoribanks, which features one of the most socially adept characters of all time. This summer I plan to read her supernatural fiction for the first time.

Adrienne Perry (joining the English department this fall):
Here's one of my books for the summer:  Sing, Unburied, Sing by Jesmyn Ward.  I'll have a chance to interview Ward for Brazos Bookstore this May and want to reread Sing, Unburied, Sing after discussing her work in person. I'm particularly interested in the way Ward structured her novel, moving through time and alternating points of view, as well as her treatment of the story's speculative elements.

Meghan Quigley:
I am reading Mrs. Osmond by John Banville (Because what courage to write a sequel to Henry James’s The Portrait of a Lady! And I adore Banville’s usual lyrical but spare Irish prose style so how will he tackle endlessly metaphorical James?), Bluets by Maggie Nelson (because I enjoyed teaching The Argonauts for the English / GWS capstone course and heard this one is even better) and, of course, continuing to make my way through the new volumes of T. S. Eliot’s letters (because I love reading author’s correspondence in the summer, it makes the summer days feel long and full of potential).

Evan Radcliffe:
I’ve read (and taught) Homer’s Odyssey many times, in several different translations.  I’m looking forward to reading it in Emily Wilson’s new translation, which is published by W. W. Norton and being included in Norton anthologies.  Her translation (of which I’ve read parts, along with Wilson’s introduction) is noteworthy not just for her generally straightforward style and use of iambic pentameter, but also for her distinctive depiction of ancient attitudes, such as the ways the poem represents non-Greek persons or women like Helen of Troy and Odysseus’ wife Penelope.  For example, at one point in Book 21, Homer describes Penelope’s hand with the word pachus.  It means “thick,” but, as Wilson remarks, to use “thick” nowadays would disparage Penelope, since “in our culture, women are not supposed to have big, thick, or fat hands.”  Typically, translators have ignored the word or used an adjective that seems more familiar, like “steady.”  Yet pachus is an important word, unexpected and yet appropriate.  It’s unexpected because when Homer uses it elsewhere in the poem, it’s for the hands of male warriors; but it’s also appropriate, because what Homer is doing is making a link between Penelope and those warriors, a link that highlights her exceptional status.  In the end, Wilson decided on “muscular,” a word that both fits Penelope literally (she’s a weaver, and thus would have strong hands) and that also makes the crucial link.  As I re-read it this summer, I’m anticipating other fresh perspectives on Homer’s great poem.

Jody Ross:
Pick up Le├»la Slimani’s Chanson Douce if you want to practice French while reading a novel that takes hold of you like a compulsion. You can also read it in translation. It's based on the true story of a nanny who kills her charges, and it looks deeply at something we don't want to see: the fraught relationships between powerful parents and the powerless people they hire to care for their children.

Lauren Shohet:
Jenny Erpenbeck, Go, Went, Gone. Exploring the developing relationships between a retired Berlin classics professor and a group of undocumented African refugees, this novel intertwines questions about place, displacement, reading, identity, and humanity. It's a wonderful read that somehow avoids both sentimentality and brutality.

Tuesday, May 15, 2018

Saturday, May 5, 2018

Second Annual English Cookout

Grillmaster Olivia Sigmund
Ang Malenda, Elizabeth Eby, Becs Davis
Gracie Stagliano and Alex Forgione
Elias Papakostas, Gracie, Alex and Maggie Heaps
Isaiah Morel and Ang