Thanks to everyone who came out for the Climate Change Town Hall in the Connelly Cinema on Friday. The event, co-sponsored by the Student Government Association, the Faculty Congress, the Staff Council, and the Sustainability Leadership Council, featured a panel of speakers, including Villanova English professor Dr. Jean Lutes, followed by a Q&A. Speakers discussed the carbon emission reduction goals in Villanova's Strategic Plan and the steps that Villanova would need to take to develop a campus sustainability plan in line with our peer institutions.
See here for a recording of the event. You can also add your name to the petition calling on the university to make a stronger commitment to sustain.
Welcome to the blog for the Villanova English department! Visit often for updates on department events, guest speakers, faculty and student accomplishments, and reviews and musings from professors and undergraduates alike.
Monday, January 28, 2019
Tuesday, January 22, 2019
Dr. Adrienne Perry wins Larry Levis Post-Graduate Stipend
Congratulations to Dr. Adrienne Perry, who has been awarded one of the two 2018 Larry Levis Post-Graduate Stipends. The awards, each of $5,000, are given each year to two alumni of Warren Wilson College's MFA Creative Writing program in Asheville, NC, one in poetry and one in fiction. Dr. Perry received the fiction award for her novel in progress, See Through Girls, a reimagining of Ralph Ellison's Invisible Man set in contemporary New York City. Judge Paul Lisicky said: "With hilarity, a crackling mind, and sentences of great nuance and wit, See Through Girls resists easy solutions, interrogates pieties of all types, without ever giving into cynicism. Though it uses Ralph Ellison’s Invisible Man as a frame, this work is distinctive, utterly itself. A necessary book is coming into being."
Labels:
creative writing,
faculty
Sunday, January 13, 2019
Dr. Brooke Hunter publishes Forging Boethius in Medieval Intellectual Fantasies
Dr. Alice Dailey Publishes Article in Shakespeare Quarterly
Congratulations to Dr. Alice Dailey, whose article, "Little, Little Graves: Shakespeare's Photographs of Richard II," was just published in the prestigious journal Shakespeare Quarterly. Dr. Dailey's essay argues that the play's many static, inset images of a dead King Richard function through a "temporal aesthetics" that cannot be summarized by the concept of the king’s two bodies, as Ernst Kantorowicz influentially argued. In place of this paradigm, Dr. Dailey invokes "the photographic phenomenology of Roland Barthes and Susan Sontag to describe how Richard generates images of his grave to proliferate himself across multiple temporal dimensions." Richard objectifies himself as a corpse while by imagining himself in the position of someone contemplating his grave after his death. By capturing himself in images of morbid stillness, Richard deploys a "photographic technology of aesthetic objectification and scopic anticipation."
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