Welcome to the blog for the Villanova English department! Visit often for updates on department events, guest speakers, faculty and student accomplishments, and reviews and musings from professors and undergraduates alike.

Friday, October 11, 2024

English Major Will Corliss: From Legal Writing to Legal Internships to Law School Applications

Will Corliss '25

"If I had to only pick one major to go to law school, it would be the English major."

When senior English major Will Corliss signed up for Professor Karen Graziano’s Legal Writing and Analysis course last spring, he probably wasn’t expecting to then find himself sitting in a courtroom, observing a real trial, that coming summer—but that’s exactly what happened. Will, who is currently applying to law schools for fall 2025, sat down with the Nova English blog to discuss his journey from a prospective bio major to a pre-law, psych and English double major—and how his journey with English contributed to his professional development. 

In the spring of his junior year, Will took two undergraduate law-focused classes with Professor Graziano: Law and Modern Literature, and Legal Writing and Analysis. 

According to Will, In Law and Modern Literature, “We were reading some classic texts and some modern texts. We started out with an autobiography called One L, which described a Harvard student’s experience in their first year of law school, and it’s a very good teaching point for pre-law students because you really get to learn about law school culture, about how it actually operates, and how it differs from college and any other educational setting you’ve ever been in.” The readings in the class not only touch on law in society, but also prepare students for the lived experience of integrating into the law profession. 

But Law and Modern Literature is first and foremost a literature class, one with a focus on the role of law in society, culture, and the life of the individual as seen through the texts: “Other texts weave in how we see law in society. There was the classic Kafka novel The Trial, the famous play Twelve Angry Men… race and gender in law, and how that plays a role.” The class draws on a diverse cross-section of Villanova students: “The class is not exclusive to just English and pre-law students. I was classmates with pre-med students, pre-dental students, engineers, and tech majors.” 

Legal Writing and Analysis is a different kind of course, one more focused on developing and applying the unique skills involved in legal writing and research. “In our academic setting,” notes Will, “we’re writing essays and arguing of course, but with legal writing it’s a very different style. It’s a different mentality, and a different way of gathering and using information.” 

The class is primarily structured around a large, final project. “You create your own journal article,” says Will, “a legal journal article like one would see in a law review. We spent the bulk of the semester working on it, from the most basic elements, navigating Nexis Uni, which is a legal database for undergraduates. At the course’s end you submit your final, which is a polished version of this journal article, with the very first attempts at legal reasoning and Blue Book citations.” 

Students are given a great deal of autonomy in choosing research subjects. “A lot of people would choose topics on the emergence of AI... a few people did education with book banning and censorship, affirmative action in the admissions process,” notes Will. “I chose the growing concerns and issues with artificial turf in the NFL. There has been lots of scrutiny in the past few years concerning non-contact-related injuries outside the nature of play. Even recently, the Eagles game against the Packers in São Paolo, Brazil, was under scrutiny—they played on a patchy field that many players slipped on. This made waves within the players’ union, the NFLPA. What I wanted to do was advocate for all teams across the league to use natural grass over artificial turf. I examined the NFL’s Collective Bargaining Agreement and talked about some provisions in there—some alterations that could be made, some possible solutions.” 

As part of the research for his paper, Will conducted two interviews with working lawyers: “I spoke with a lawyer named Brian J. Duff, name partner of a law firm based in Tom’s River and Hamilton, New Jersey. I had never met him; I didn’t know him before I read his journal article from 30 years ago talking about this issue. I reached out to him and talked to him for about an hour about this issue. It helped big time, not only with my paper, but also it turned into a networking and professional development opportunity. 

Over the summer, I was able to go to one of his local offices a few times, and most significantly observe him in a trial he was doing. It was a great and exciting experience for me to have, and I’m so glad that that was able to come about all due to a legal writing project.” 

Professor Graziano emphasized the importance of Will’s professionalism and writing skills in being offered the internship opportunity. "After Will shared his final legal journal article with a lawyer he interviewed in the research process, I received an email from the lawyer with a glowing review stating how professional Will was and how outstanding his legal writing was as well. As a result of his professionalism and legal writing skills, Will was offered a professional development opportunity with the lawyer's office.” 

As Professor Graziano notes, in praising Will’s initiative, "I have only received an email from an attorney who was interviewed for the course on a few occasions, and while over the years several of my legal writing students have created opportunities like Will's at law firms, it's always notable. It’s rare for undergraduates students to be offered an opportunity at a law firm based on their legal research and writing skills." 

Will’s second interview for his paper was with a well-known Villanova professor. “I got to go over to the Villanova Law School and talk to the head of the Sports Law department, Professor Andrew Brandt. He was also formerly the Vice President for the Green Bay Packers. He brought a wealth of knowledge. He had some really great things to say about the issue and the Collective Bargaining Agreement, very different too. Speaking to somebody with an NFL background like that provided a lot of help with thinking of solutions. 

As Will describes it, “It was very cool even to get in that room and talk. That doesn’t happen without that project, the motivation, and the investigatory work that’s involved in it. It was a very formative experience in my academic journey here at Villanova.” 

In summary, Will has found the English major to be largely beneficial in his path as a pre-law student. Initially, Will majored in Biology, but ultimately changed course. “I talked to a family friend who’s a lawyer. He had always said, ‘Major in the sciences and minor in English, because law school is so much reading and writing. If you can learn to read and write like that, at high volumes like that, you’ll be very well prepared as an undergraduate for law school.’ So I took that into consideration and thought, hold on, why not major in this instead? And also, in high school, I took AP Lit, I took AP Lang, and I liked them a lot. So it all made sense.” 

Will found that the English major dovetailed perfectly with his professional and educational ambitions, from the aforementioned legal internship to valuable experience tutoring at the Writing Center. “I have accomplished much more in my pre-law journey as an English major,” says Will. “Formally, on my transcript, it will say that my primary major is Psychology and my second major is English, but anybody that’s heard me talk about my academic experience would definitely agree that it’s really the other way around. And it’s not a knock on the Psychology major at all, but I’ve always felt more that English was really my primary major. If I had to only pick one major to go to law school, it would be the English major. That’s because the skills are so liquid. Every essay is an argument. You’re crafting arguments and evidence through the texts. You’re reading a lot. You’re writing a lot. You’re becoming a better orator in class discussion. You are constantly sharpening the crucial skills for law school.” 

Having gone through his academic and pre-professional experiences over the spring and the summer, Will is now focused on finishing out his senior year and applying to law school. “I spent the summer studying, crafting my personal statement, collecting input and feedback for my resume,” he notes. “As I continue the application process, I’ve always had the mentality of best fit over best school. It reminds me of my senior year of high school again. This whole way, I am just trying to remember that this is a privilege and a blessing to get to this point in the game. It’s not a bad thing—it might be daunting, but it’s not bad at all. It’s quite the opposite. And I am very grateful for the faculty of Villanova’s English department to allow me to tap into my potential.



Margaux Barrett to publish “Science on Tap: Pouring Knowledge into the Local Community”

English major extraordinaire, Marguax Barrett, will publish a paper titled “Science on Tap: Pouring Knowledge into the Local Community.” It is joint work with Jennifer Santoro (Assistant Teaching Professor in the Department of Geography and the Environment) and Chris Jeffords (Associate Teaching Professor, Economics).

This paper grew out of their collective Science on Tap effort at Root Down Brewing Co. in Phoenixville (taking place on the first Tuesday of every month). The event started in May 2022 and is so successful that it is now booked through September 2025!  Margaux joined the research project through the First Year Match program and helped create and administer the survey which is the foundation of the publication. Preliminary survey results were presented at the VSB Research Day in 2023. Margaux also wrote the application to secure funding from Falvey’s Scholarly Open-Access Reserve (SOAR) Fund. As a result, the paper will be published open access.




Thursday, October 3, 2024

English and CAIS sponsored reading group: Isabella Hammad's Recognizing the Stranger

Join the English department and the Center for Arab and Islamic Studies for a two-part reading group on Isabella Hammad’s recently published book, Recognizing the Stranger: On Palestine and Narrative. The meetings will take place on Wednesday, November 6 and Thursday, November 21 at 6:00 pm in the English Department Conference Room, 402 SAC. The first meeting will cover Hammad’s Edward W. Said Memorial Lecture delivered on September 28, 2023, and the second meeting will cover “Afterword: On Gaza.” There will be copies of the book available to students who register by October 14. Please register here. Everyone welcome!




Wednesday, October 2, 2024

Fall '24 Class Visit Flyers

 Our student advisory council will be making visits to classes in the coming weeks to talk about the English major and minor at Villanova. Here are some of the flyers they'll be showing:







SPRING 2025
UPPER-LEVEL ENGLISH COURSES

2003 Intro to Creative Writing TR 8:30-9:45, Cathy Staples
In this introductory course, students will develop as creative writers and readers. We’ll begin with creative non-fiction, drawing upon memory and sense of place, then move on to poetry, engaging imagination and the lyric voice, then conclude with short fiction, honing our storytelling skills.

2004 Writing Creative Non-Fiction TR 2:30-3:45, Adrienne Perry
Creative nonfiction has been described as "true stories well told." Students will write, close read, and workshop "true stories," including travel writing, food writing, and the lyric essay.

2009 Writing the Novella TR 11:30-12:45, Alan Drew
A creative writing workshop course designed for students eager to leap into the complex process of writing a novella or short novel. Students will close-read short novels to analyze elements of craft and workshop sections of their own novel in-progress.

2020 Digital Journalism MW 3:20-4:35, Lara Rutherford-Morrison
Introduces students to the fundamentals of journalism, with an emphasis on digital media. Class will focus on the ins and outs of digital journalism as a practice, with students gaining hands-on experience within a variety of media platforms.

2022 Writing Through Conflict TR 10:00-11:15, Alan Drew
In this creative writing workshop you will study contemporary Irish/Northern Irish writers while working on your own creative pieces. Over semester break, you will travel to Belfast for a week of seminars and creative writing workshops at the Seamus Heaney Centre.

2024 Scriptwriting MW 1:55-3:10, Michelle Filling-Brown
In this creative writing course, students will study drama and techniques that lead to developing characters, crafting stories, and writing scenes. In the collaborative scriptwriting workshop, students will work as authors, editors, and critics, ultimately each crafting a one-act play.

2025 Making Comics MWF 10:40-11:30, Robert Berry
We will make, understand, and appreciate the storytelling medium of comics. For artists, writers and enthusiasts of all levels; no drawing experience necessary. Through exercises, readings and collaborative assignments, students learn the language of comics and create their own stories.

2070 Legal Writing & Analysis MWF 9:35-10:25, Karen Graziano 
Fundamentals of legal writing and analysis.

2250, Ways of Reading TR 10:00-11:15, Michael Dowdy
An exploration of how we engage, understand, explicate, and enjoy texts of all sorts.

2400 Classical Hero in Ancient Lit MW 1:55-3:10, Evan Radcliffe
In this course we delve into some of the most famous and influential works of classical Western literature, including Homer, Sophocles, Euripides, and Virgil. We will discuss the complexities and depth of their explorations of issues such as war, glory, political power, the place of the gods, and tragic loss.

2801 Editing Law M 4:45-6:00 for first 10 weeks of the semester, Karen Graziano
Law is consistently criticized for lacking the ABCs of effective legal writing: accuracy, brevity, and clarity. Using current laws, students will learn how to edit legal writing to improve its readability and advocate more effectively for clients. Communicating and applying skills of English Majors in the workplace.

2994 Reading and Community M 6:15-7:30 for first 10 weeks of the semester, Mary Mullen
Studying the kind of reading that takes place outside of the classroom in book groups and community reads, this course practices reading in community while studying hot new books selected by students in the course.

3160 Fabulous Middle Ages MW 3:20-4:35, Brooke Hunter
The Middle Ages mixed history (historia) and fable (fabula) freely. This course traces the intersections between the fabulous (the fictional and fantastic) and the "real" in medieval narratives about the history, global travel, and the natural world.

3507 Strange Cases: Imagining Health & Illness TR 1:00-2:15, Joseph Drury
Explore literary responses to pivotal developments in medical science and practice from the eighteenth century to the present. Study works that engage with the new ideas about illness, treatment, and disability that arose alongside changing understandings of the human body.

3530 Victorian Doubles MW 4:45-6:00, Mary Mullen
Investigate how Victorian literature represents doubles - self and other, women and men, past and present, public and private - and study changing constructions of gender, industrialization, and imperial expansion in nineteenth-century Britain.

3615 Ulysses TR 2:30-3:45, Megan Quigley
A study of the novels and short stories of James Joyce, with concentration on Ulysses.

4520 American Novels to 1945 TR 2:30-3:45, Jean Lutes
Want to track some of the most influential American stories ever told? In this course you’ll study19ᵗʰ century books inspired by the institution of slavery before turning to extraordinary contemporary novels that build directly upon their literary provocations.

4632 African American Drama TR 11:30-12:45, Crystal Lucky
"The play's the thing" to capture the conscience of not only a king but a nation. Students will read plays written by African Americans including Lorraine Hansberry, Amiri Baraka, August Wilson, Anna Deavere Smith, and Suzan Lori Parks.

4647 Gender & Sexuality in U.S. Lit TR 4:00-5:15, Yumi Lee
This course examines a fascinating range of contemporary US literary texts to explore the ways that gender and sexuality intersect with race, class and other categories of identity to form our experiences of selfhood, community, national belonging, and power.

4654 25 Poems TR 10:00-11:15, Kamran Javadizadeh
To be alive today is to feel distracted. This course offers us the chance to slow down. We read just one short poem per class meeting and learn how to give it our full attention, in writing and in conversation.

4655 Contemporary Lit & Film in Translation TR 4:00-5:15, Adrienne Perry
This course taught in English introduces students to contemporary world literature and cinema in translation. The study of these texts as translations equips students with an understanding of how translation allows movement among diverse languages and cultures, including our own.

4702 Authors On & Off the Page TR 4:00-5:15, Lisa Sewell & Tsering Wangmo
Do you love to write? Dream of visiting with authors to discuss their work and the publishing world? This course combines creative writing workshops with literary analysis and the chance to hob-nob with prestigious authors during the Villanova Literary Festival.

4703 21ˢᵗ Century American Apocalypse TR 1:00-2:15, Heather Hicks
This course surveys major contemporary novels depicting American disasters and their aftermath. We'll consider the varieties of apocalypse that are imagined -- including economic collapse, pandemic, "zombie apocalypse," and climate disruption -- in relation to gender, race, and literary form.

5000 George Eliot’s Middlemarch MW 3:20-4:35, Mary Mullen
In this senior seminar we will study George Eliot’s Middlemarch and consider what it teaches us about the form of the novel, literary history, and the canon. We will think about gender, genre, race, and colonialism.

GWS 5000 Feminist Fictions TR 11:30-12:45, Megan Quigley
An interdisciplinary course that focuses on a topic through methodology that requires students to provide input from the research areas of their majors. Open to GWS majors, minors and ENG majors, 
minors.

HON 5440-100 At Stoneleigh Garden: Reading & Writing Children’s Stories, April 11-13, 2025, Cathy Staples 
From Goodnight Moon and The Woman Who Flummoxed the Fairies to Wind in the Willows, Sukey 
and the Mermaid, and Alice in Wonderland—we will read and write our way through Stoneleigh’s 
gardens, meadows, and woods in this one-weekend workshop.

HON 5440-101 At the Barnes: One Credit Poetry Workshop February 7-9, 2025, Cathy Staples
Dr. Barnes’ collection of Impressionist, Post-Impressionist and early Modern paintings will be the centerpiece for this one-weekend poetry writing workshop. From Cezanne’s cardplayers and Picasso’s acrobats to Matisse’s storytelling interiors—we’ll write our way through the galleries.

You can find our English Alumni Careers Booklet here.

Tuesday, October 1, 2024

Professor Megan Quigley at the "Code Meets Culture" symposium

Pictures from Professor Megan Quigley's presentation at the "Code Meets Culture"--a symposium on the future of AI and the Future of Second Language, Literature, and Culture Pedagogy. 




Wednesday, September 25, 2024

Ann Marie Jakubowski wins the Fathman Award from the International T. S. Eliot Society!

 


Ann Marie Jakubowski won the Fatham Award, a prize given by the International T. S. Eliot Society at its annual meeting to the best paper presented by an early-career scholar, for her paper "Conversion as Revision: The Retrospective Poetics of Burnt Norton." She is currently a Lilly Postdoctoral Fellow at Valparaiso University, where she teaches literary and humanities courses in the undergrad honors college (Christ College). She graduated from Villanova's Masters program in English in 2017 and received a PhD from Washington University in St. Louis in 2024.

Kylie Horan ('24) wins the 2024 Angelica Garnett Undergraduate Essay Prize from International Virginia Woolf Society


Recent graduate, Kylie Horan, won the 2024 Angelica Garnett Undergraduate Essay Prize from International Virginia Woolf Society for her essay, "Woolf, Will, and the War Bride: Cymbeline and the Figure of Fascist Italy in Mrs. Dalloway.” This essay was the culmination of her Senior Seminar, Woolf and Her Daughters, taught by the brilliant Dr. Megan Quigley. As an English and Italian major, she sought to combine my foci through examining the sole Italian figure in Woolf’s canon: Rezia, Septimus Warren Smith’s war bride. She spent several months researching, drafting, and conferencing weekly with Dr. Quigley; the help of her wonderful colleagues at the Writing Center was instrumental, as well. The essay, as it will appear in the Virginia Woolf Miscellany, is a slightly excerpted form of the edition written for Villanova.

Here is an abstract of the essay: Literary critics have long analyzed Virginia Woolf’s Mrs. Dalloway (1925) as a novel invested in issues of war and feminism. However, they have neglected the nexus point of these two matters: Rezia Warren Smith, the Italian war bride of main character Septimus Warren Smith. This essay centers this historically ignored character, arguing that she, as the embodiment of her nation, introduces the contemporary shadow of Italian fascism into the text. It considers Mrs. Dalloway as a precursor to Woolf’s famous anti-fascist, feminist work, Three Guineas, and Rezia an avatar through which Woolf explores the relationship between feminine bodies and feminized nations under violent, masculine domination. It argues that Woolf revises Shakespeare’s Cymbeline— a play about wartime nationhood quoted frequently throughout the novel— for a post-war Europe, with Rezia replacing heroine Imogen, who, too, stands in for her nation. Through an almost-exact replication of Imogen’s arc, down to a final consumption of a sleeping draught, Woolf draws a clear parallel between the two characters, only breaking away in Rezia’s final moments. Where Imogen-as-England wakes from her sedative, returning prosperity to her kingdom and reflecting England’s safety, Rezia-as-Italy merely fades into unconsciousness, seeing only the foreboding shadow of a man and visions of battlefields: a dark premonition of what Italy, freshly under Mussolini’s control, will come to face. Drawing on a unique collection of sources from Woolf’s diaries and London newspapers to Milanese history and Shakespeare criticism, the International Virginia Woolf Society has proclaimed the essay a work of “original insights… a true contribution to Woolf studies that will excite many readers.”